Catholic bishops have branded Wolf Hall inaccurate and anti-Catholic. Quite right. So far, half the viewers think the series is marvellous and half of them can’t follow the plot or see in the dark (which is more or less the same thing) and a million such viewers have gone off to make a cup of tea and never came back.
The fault, dear Brutus, lies not with the TV adaptation but with the book itself. Hilary Mantel (not an historian, alas) wrote it (incomprehensibly) in the present tense, which meant that, far from being unable to put it down, I could barely pick it up. Some time ago I asked a class of Year 9 students to write up the situation in Germany in the 1920s from the point of view of Adolf Hitler. One girl said she couldn’t because she couldn’t get inside the head of such a misfit with so much blood on his hands. I sympathised. Historians, I told her, are supposed to be unbiased, even-handed, fair. But some individuals stand out as being, to use a technical term much bandied about where scholars gather, utter shits. Thomas Cromwell, Dame Mantel’s (how did that happen?) hero is one such.
If you doubt this, take in Leo McKern’s brilliant portrayal of him in A Man For All Seasons. More historically, have a look at Hans Holbein’s portrait of Cromwell in the National Portrait Gallery – the thick neck, the piggy, shifty eyes; it’s all there; psychopathy writ large. He is an anti-hero and literature is full of them. The problem comes when fiction passes as fact. What’s the betting that desperate History teachers will soon be using the DVD of Wolf Hall as a classroom aid? It then, to undiscerning kids, becomes fact. It’s not going to happen in my classroom!